Perfumes for Every Occasion

I love perfume. Honestly, the fragrance that one wears can be so therapeutic sometimes, especially since it has been shown that scents can affect your mood in a number of different ways. From making you feel energetic, tired or even focused, the effects of smell are unparalleled, to say the least. What you wear is also a great indicator of the way you feel, which is why we all wear different fragrances depending on where we’re going and what activities have been planned for the day. With that in mind, I’ve included my five favorite fragrances for a number of different moods. Keeping these on your night stand will ensure that you’re ready for whatever life throws at you!

1. Chance by Chanel

Ah, Chanel. There was no doubt in my mind that I would start with this fragrance to commemorate the post. The first perfume I ever got was the classic Chanel Chance Eau De Parfum, which soon developed into a craze that led to the addition of two more in the Chance series, Eau Fraiche and Eau Tendre. While I usually hate it when companies try to capitalize on the success of a product by giving other products similar names and marketing them in the same way, I was very thrilled with the way the other perfumes turned out, and actually regularly use Chanel Eau Tendre on days I want a change  from Gucci’s Flora. However, my perfect classic perfume for a sophisticated night out has to be the original Chance. It’s a mature scent, and very strong. It definitely lasts a long time. Chance in French means ‘luck’, but even if you go by the English meaning, the perfume sticks to its name. Taking a ‘chance’ on unexpected flavors, the top notes of the classic fragrance go the fruity route, with pineapple, pink pepper and lemon adding a hint of sweetness. After that, the perfume switches to flowers, which are not as sweet as the top, even though the notes are still feminine – hyacinth, jasmine and iris are quite subtle without being overly so. Ultimately, the base notes of the fragrance come out, which leads to muskier undertones of amber, patchouli, vetiver and white musk. This makes the scent ‘older’ than a standard fruity or flowery fragrance, but I think in a good way. It is perfect for a refined night. However, if the scent of the classic fragrance is too much for you, Chanel has developed the lighter Eau Fraiche, which has notes of lemon and cedar at the top, pink pepper, water hyacinth and jasmine in the middle, and a plethora of base notes – teak wood, iris, patchouli, vetiver and musk. The omission of the pineapple, amber and iris, along with the addition of teak wood, gives you the same scent as Chance without the strong after scent, along with a more citrusy tone. The last fragrance in the Chance series, however, is completely different. Flirty and tart, it starts off with notes of grapefruit and quince, leading to tinges of jasmine and hyacinth. Finally, it gives way to musk, cedar, amber and iris. Sweeter than the other two fragrances and less woody, it is a happier and more energizing fragrance used for a fun night out, which is embodied by the absence of the heavy patchouli smell. Continue reading


Why Fashion Journalism is Important

The Twitterverse is clearly a major forum for debate these days (which my old Columbia professor, Sree, will attest to the growing power of social media), and one of these topics in the recent past was about women’s magazines and so-called ‘serious’ journalism. An article in the New Republic recently reinforced the idea that women’s magazines do not produce serious journalism because it isn’t their ‘mission’ to do so. Which is not only an insult, but also completely untrue. The New Republic article’s main gist was that men’s magazines and other ‘general interest publications’ (why men’s magazines do not get their own category like women’s magazines do, I don’t know) often have longer pieces that cover more types of journalism; literary and investigative journalism in particular. In comparison, women’s magazines apparently don’t care about writing serious articles as much as their male counterparts (particularly mentioned here were Esquire and GQ), and their pieces are apparently much shorter. I don’t really seem to understand why word length must even be considered a factor for serious journalism. If I can explain the same thing to you in 2000 words that someone else might take 5000 words for, doesn’t that, in effect, make me a far better writer? Apparently not.

The June Issue of Vogue India

Robbie Myers, editor-in-chief of ELLE Magazine USA, thankfully also had some words to share on the subject. Her rebuttal was, in effect, the same as mine. She says that people often confuse length for quality, and since she was speaking specifically on behalf of her own magazine, she clearly stated that even taking into account this ridiculous criteria for serious journalism, ELLE has written a number of substantial longer pieces that range from topics like selective reduction in pregnancies to policies in American government. While I understand that she can’t speak on behalf of her competitors like Vogue or Marie Claire, it is true that these magazines, too, have some articles that I think should qualify as serious journalism. Take this article from Vogue about CNN anchor Arwa Damon’s time reporting in Libya or this personal story about a shooting survivor from Marie Claire; a plea for gun control reform. Why do these articles go unnoticed? Continue reading